Olive Allen
Welcome to the Metaverse
April 30 - May 28, 2022
It's a new World for the new type of heroes.
Postmasters Gallery is thrilled to announce the first ever solo show of NFT art pioneer Olive Allen. Titled
"Welcome to the Metaverse" and occupying all 4500 square feet of the gallery space, the exhibition spans
sculpture, installation, video and NFT artworks.
"Welcome to the Metaverse" will deconstruct the emergence of how immersive experiences are reshaping 21st
century life. Olive Allen has created several new large-scale projects that will transform the gallery into an
experiential playground, works that question how digital experience can be translated into the real world,
radically altering how we see and interact with art, and ultimately connect with cultural communities both on
and offline.
Olive Allen is an artist with a greatly unconventional journey reflected in the theme and overall approach to the
exhibition; she is moving away from a traditional white cube environment to create a video game-like journey
for the viewer to become a part of the Metaverse. The exhibition reveals artist's deep fascination with society
and technology, and the future of this interaction. One of the less obvious underlying themes is the search for
one's own identity in the world that is so used to assigning labels and is quick to exclude those who don't fit in
the pre-assigned box.
Postmasters will be transformed into a veritable Metaverse kiosk, with products and brands tongue-andcheekily critiquing the ways in which Web3 is being commodified. By looking at how the cyber-utopian ethos of
Web3 and the Metaverse is merely a promise at this stage and still remains largely unrealized, Allen's show
attempts to develop a critical platform in which to analyze the emergence of new technologies. What the media
of today may say about the cultures of tomorrow, the exhibition at Postmasters ultimately begs the question:
Metaverse, but for whom?
Olive Allen is one of the earliest adopters of blockchain technology and a tech entrepreneur. She has created the concept of the NFT drop by calling her 2019 "13 Dreadful and Disappointing Items" art collection release a "drop," branding the items and making them available for 24 hours only. Drops are now a staple of the NFT space. She was a part of the first ever drops on sites like Nifty Gateway and Super Rare; Allen was also the only "NFT native" artist to be included in the first traditional gallery NFT show (Johann Koenig's "Artist is Online"in Decentraland); her artwork was the first NFT sold at a major international art fair (Art Basel in Switzerland in 2021).
Allen has carved a niche for herself as an artist not only interested in but also critical of crypto, using her voice and platform to call for greater gender equality in the space, all the while developing a thought-provoking aesthetic around timely topics and themes. Olive believes the work produced and released should be of the now. In the age of rapid social changes, of exponential technological growth, what are we looking forward to as humanity?
Metaverse is not just the popular catchphrase and VC investment thesis, but truly is an escapist dream. A chance for a new life, a chance to restart. In this new world you can be anything, gravity does not hold you back. There are seemingly endless possibilities and multitude of paths. The Q is: are they of your own creation or you're simply following someone else's agenda. Everyone has a chance to design their world...or it is merely an illusion & Metaverse will be run by corporations seeking profits & feeding us entertainment in hopes to sell us products we don't need. Despite the seriousness of the subject, there is still room for humor and childlike excitement. I choose to believe in the world of unlimited possibilities and curious juxtapositions.
Olive Allen's work has in the past been featured in the New York Times, Artnet News, La Repubblica, the Art Newspaper, CoinDesk, Cointelegraph, Decrypt, Whitewall, FAD Magazine and many others.
According to journalist Howard Rapp, writing for the magazine Modern Professional:
Beyond the buzzwords, trends, and headlines sits crypto art trailblazer Olive Allen, forward-thinking digital artist, painter, and introspect. Allen's work combines observational humor with introspection while touching on the very fabric that holds societies together. Her drops feature critical choices that must be made by collectors, moving experiences, and important social commentary people often overlook or are afraid to confront.
Founded in 1984 by Magda Sawon and Tamas Banovich, Postmasters Gallery will add Allen to their roster of pioneering artists like Eva and Franco Mattes, Jennifer and Kevin McCoy, Mark Dorf, Molly Crabapple and others. In May 2021 Postmasters launched their blockchain website PostmastersBLOCKCHAIN, an early and different voice in the tempestuous world of digital art NFTs. Olive Allen's exhibition at Postmasters builds on their relationship with the artist, having recently shown her "Sheeple Punk" at Art Dubai in 2022.
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Olive Allen installation view |
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Olive Allen Metacat, 2022 NFT |
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Olive Allen Metacat, 2022 NFT |
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Olive Allen installation view |
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Olive Allen Metaverse (In collaboration with Andrew Heid), 2022 NFT Created in collaboration with Andrew Heid (No Architecture), Olive Allen's Metaverse includes the "Busan Opera House". The "Busan Opera House" structure designed by architect Andrew Heid, is an elaboration on the concept of the tensegrity structure. Tensegrity, the term originally coined by Buckminster Fuller that contracts the terms tensility and structural integrity, describes a structure whose form relies both on compression and tension unlike conventional structures that are continuous in compression and discontinuous in tension. Tensegrity structures, built of lightweight linear members and high tensile strings, can grow quite large using few materials and among other advantages, absorb shock well and retain their shape independent of gravity. Tensegrity as an architectural concept can hold particular advantageous attributes for an imagined digital environment, where physical laws such as gravity and air pressure may not exist. Latvian artist, and Russian constructivist Karlis Johansons (1890-1929) created a series of "self-tensile constructions" displayed at the 1921 INKhUK (Institute of Artistic Culture) exhibition, which are considered the prototypes of the tensegrityconstruction systems further developed by Richard Buckminster Fuller and American artist Kenneth Snelson in the 1950s.[3] |
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Olive Allen installation view |
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Olive Allen installation view |
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Olive Allen Journey 2, 2022 NFT (digital painting) |
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Olive Allen Journey 2, 2022 NFT (digital painting) |
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Olive Allen installation view |
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Olive Allen installation view |
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Olive Allen Bear 1, 2022, 3-D Print, 10.5 inches |
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Olive Allen installation view |
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Olive Allen installation view |
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Olive Allen installation view |
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Olive Allen Bear 2 , 2022 3-D Print, 12 inches |
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Olive Allen installation view |
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Olive Allen installation view |