"L.C Armstrong depicts a natural utopia but
one that has been tainted. Recalling the
exotic, sinuous and erotically charged floral
studies of the 19th-century painter Martin J.
Heade, she creates a paradise of hothouse
flowers in luscious acrylic colors glistening
beneath layers of resin. But it is Eden after
the fall. The stems of the flowers, dark and
hairy looking have been made with real
bomb fuses which Armstrong ignites to
produce burn marks on the surface of the
canvases. The marred plant life suggests a
ruined ecosystem, a 21st-century view of a
malevolent romantic landscape."
Elizabeth Hayt
(excerpted form "Nature Painting That Looks Unnatural"
The New York Times, October 15, 2000)
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